Polina Dimova

Assistant Professor, Russian

What I do

I am an Assistant Professor of Russian language, literature, and culture at the University of Denver and a scholar-teacher of Russian and European literature, art, and culture.

Specialization(s)

European and Russian Modernism across the arts, literature - music - visual art, lyric poetry, sensory studies, science and literature, Science Fiction, translation

Professional Biography

Dr. Dimova's scholarly work focuses on twentieth-century Russian, German, and British literature, music, and visual art, and her research has been supported by ACLS, NEH, and Mellon grants. Her forthcoming book At the Crossroads of the Senses (under contract with Penn State UP) examines how Modernist multimedia experiments stemmed from a fascination with synaesthesia, the figurative or neurological mixing of the senses—for instance, in the perception of sound as color. Dimova has published on the Symbolist, Soviet, and Post-Soviet literary interpretations of the myth and music of the Russian composer Alexander Scriabin, on Sergei Prokofiev’s early ballets and songs, on Oscar Wilde and Richard Strauss’s adaptations of the Salome legend, and on electricity in Russian culture. As a fellow at the 2018 NEH Cold War Cultures summer institute, she also began work on the project Cold War Fantasies in the Soviet Union, East Germany, and Bulgaria. Her teaching and research interests include modernism across the arts, sensory studies, literature and science, fairy tales and science fiction, lyric poetry, and translation. Before joining DU in 2019, she taught a wide range of Russian and comparative literature courses on these topics at the University of California, Berkeley, Oberlin College, and Vanderbilt University. A proficient violinist and a composer, Dr. Dimova hails from Bulgaria.

Degree(s)

  • Ph.D., Comparative Literature, University of California, Berkeley, 2010
  • BA, Comparative Literature, Smith College, 2001

Areas of Research

Russian literature and culture
Russian music and visual art
Modernism
lyric poetry
sensory studies
literature and science
fairy tales and science fiction
translation theory

Featured Publications

Dimova, P. (2020). The Sun-Sounding Scythian: Prokofiev’s Musical Interpretations of Russian Silver Age Poetry. In R. McAllister & C. Guillaumier (Eds.), Rethinking Prokofiev (pp. 129-52). Oxford UP.
Dimova, P. (2015). The Frozen Desert and the Crystal City: Figurations of Aleksandr Scriabin’s Music in Evgenii Zamiatin’s We and "The Cave". Ulbandus: The Slavic Review of Columbia University. Hearing Texts: The Auditory In Slavic Literatures, 16, 48-70.
Dimova, P. (2013). Decadent Senses: The Dissemination of Oscar Wilde’s "Salomé" Across the Arts. In C. Rowden (Ed.), Performing Salome, Revealing Stories (pp. 15-47). UK: Ashgate.
Dimova, P. (2013). The Apocalyptic Dispersion of Light into Poetry and Music: Aleksandr Skrjabin in the Russian Religious Imagination. In A. Opportunity (Ed.), Shapes of Apocalypse: Arts and Philosophy in Russian Thought (pp. 175-202). Boston, MA: Academic Studies Press.

Presentations

Dimova, P. (2019). The Color of Music: Twenty Theses on Synaesthesia. IASAS International Synaesthesia Symposium. Moscow, Russia.
Dimova, P. (2019). The Power of Light and Electric Shock: How Soviet Children Unraveled the Electric Plot Line. ASEEES. San Francisco.
Dimova, P. (2020). The Revolution as a Cosmic Mystery: The Myth of Alexander Scriabin in Vladimir Sharov’s "Before and During". AATSEEL. San Diego.

Awards

  • ACLS Fellowship, American Council of Learned Societies
  • NEH Summer Institute, National Endowment for the Humanities
  • Mellon Postdoctoral Fellowship, Andrew Mellon Foundation
  • Oberlin Arts and Technology Grant , Sherman Fairchild Foundation
  • Chancellor’s Dissertation-Year Fellowship, University of California, Berkeley