Our Programs

ACE offers postgraduate, non-degree certificate programs, virtually and on campus. We welcome applications from graduate students and emerging professionals from a variety of backgrounds, as well as staff at academic institutions, museums and galleries. We encourage participation from minoritized communities and accept individuals based on their potential to have a meaningful impact on cultural institutions and the communities they serve.

Photograph of an old ledger in German. There are other handwritten documents that are yellowed with age in the background.

Nazi-Era Art Provenance Research

Hybrid Training Program

June 2023

We are currently planning a hybrid version of our training program on Nazi-era art provenance research. Certificate students, selected through an application process, will attend on the University of Denver campus, with lodging and meals provided. Non-certificate students will be able to attend selected sessions virtually.

Please subscribe to our newsletter and follow us on Instagram and Twitter at @uofdenver_ace for the latest updates on application deadlines, program details and more. 

Woman pulls out art stacks at University of Denver Art Collections

Fundamentals of Nazi-Era Art Provenance Research

Virtual Training Program

August 2–6, 2021

The Center for Art Collection Ethics (ACE) at the University of Denver (DU) is pleased to announce a fully virtual training program on the fundamentals of Nazi-era art provenance research, August 2-6, 2021. Our program is geared toward graduate students in any field and emerging museum professionals, with sessions available to the broader public. We will offer a postgraduate certificate of completion to twenty students through an application process, with full scholarships provided by the Samuel H. Kress Foundation. In addition, non-certificate students and other attendees may register at daily rate of $30. On Thursday, August 5, the daily non-certificate registration rate is $15, as half of the day is devoted to assisting certificate students with research projects. 

Our planning team includes Renée Albiston, Associate Museum Director of Kirkland Museum Fine & Decorative Art, who also has conducted provenance research at the Denver Art Museum; Elizabeth Campbell, Associate Professor of History at DU and Director of ACE; Angelica Daneo, Chief Curator and Curator of European Art before 1900 at the Denver Art Museum; and MacKenzie Mallon, Specialist, Provenance, Nelson-Atkins Museum of Art, Kansas City, Missouri. 

For seamless and secure program delivery, we are using the OpenWater virtual conferencing platform. 

Note: The application window for certificate students has closed. Please see below to register as a non-certificate attendee.

  • Program Summary
    The program includes: 
    • Interactive lectures and discussions with top historians, provenance researchers and museum staff, with break-out groups to allow smaller group discussions. 

    • Virtual visits to the University of Denver and the Denver Art Museum collections, followed by live Q&A sessions with the curators and provenance researchers.  

    • Object case studies illustrating ownership evidence on the back of painting frames. 

    • Information on archival resources in the United States and abroad featuring Meike Hopp, Professor for Digital Provenance at the Technische Universität Berlin.

    • Presentations of digital resources including the ERR Jeu de Paume database and the Jewish Digital Cultural Recovery Project, by Marc Masurovsky.

    • A roundtable on legal and ethical dimensions of Nazi-era art stewardship, including Nicholas O’Donnell, attorney at Sullivan and Worcester in Boston.

    • Perspectives from claimants themselves, including Simon Goodman, descendant of Fritz Gutmann and author of "The Orpheus Clock."

    • Interactive workshops on writing provenance narratives, essential information, and making findings public, featuring Jacques Schumacher, Provenance and Spoliation Curator at the Victoria & Albert Museum in London.

    • For certificate students: small group work on provenance research case studies using digital resources, and presentation of findings through a symposium the final day of the program. 

    • Keynote address by Jane Milosch, Visiting Professorial Fellow at the University of Glasgow and former Founding Director of the Smithsonian Provenance Research Initiative, and the PREP exchange program of German and American curators: A Decade of International Provenance Research and Exchange at the Smithsonian (2009-2019): Looking Back, Looking Forward.” 

  • Certificate Program Information

    The application window for certificate students has closed. Please see below to register as a non-certificate attendee.

    Timeline for Certificate Applications:
    • Applications accepted on a rolling basis through 11:59 p.m. Mountain Time (UTC-6) on June 30, 2021.

    • Notifications of acceptance in early July 2021. Twenty students will be accepted. 

    • Program dates: August 2-6, 2021. Synchronous sessions in the morning and afternoon of Thursday, August 5, and Friday, August 6. All session times are Mountain Daylight Time (MDT, UTC-6)

    • Enrollment fees fully supported by scholarships provided by the Samuel H. Kress Foundation.

    Qualifications for Certificate Program: 
    • A bachelor’s degree or equivalent experience is required. Applicants are welcome to explain equivalent experience in the application essay. 

    • We welcome applications from graduate students and emerging professionals with various backgrounds, including art history, museum studies, anthropology, cultural studies, history, religious studies, and library and information science. 

    • We encourage participation from minoritized communities and staff at academic museums and galleries, who are poised to help train the rising generation of curators. 

    • Certificate students must be able to participate synchronously in sessions all day Thursday, August 5, and Friday, August 6. During this time, they will work on provenance research case studies in small groups, with guidance in break-out rooms from provenance researchers. On Friday, the groups will present their work in a student symposium in the morning and afternoon. The program will finish with the keynote address by Jane Milosch.

Detailed schedule and non-certificate registration
indigenous art exhibit

Ethical Stewardship of Native American Collections

June 21-26, 2020 [cancelled due to COVID-19]

Working with partners in the historic tribes of Coloradothe Ute, Cheyenne and Arapahowe designed a truly Native-centered certificate program that featured talks by renowned experts, including Dakota Hoska [Oglala Lakhóta], Joseph [Woody] Aguilar [San Ildefonso Pueblo], and Cynthia Chavez Lamar [San Felipe Pueblo/Hopi/Tewa/Navajo]. We planned sessions with artists and practitioners at the Denver Art Museum and History Colorado, and in partnership with the Denver Museum of Nature & Science, built an object study assignment, using Native items and the museum archive collection.

We greatly regret the cancellation of the program, due to concerns about the COVID-19 pandemic, and are discussing possibilities for future programs. In the meantime, please enjoy our interview series with experts who would have shared their expertise in the certificate program. 

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Learn from expert researchers and practitioners partnering with the Center for Art Collection Ethics in on-campus lectures, panel discussions and symposia, free and open to the public.

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Under the Hammer of the Nazis Screening & Q&A

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