Sean Rogers Friar
What I do
Chair of the Composition department.
He regularly composes for ensembles within and outside traditional concert music. His output ranges from works for orchestra and chamber ensembles to a junk car percussion concerto, music for laptop orchestra, and microtonal piano duo. He has received commissions from the Los Angeles Philharmonic, Berlin Philharmonic Scharoun Ensemble, American Composers Orchestra, Alarm Will Sound, Ensemble Modern, Cabrillo Festival, New York Youth Symphony, NOW Ensemble, the Eastman Wind Ensemble, the Curtis Institute, the Redlands Symphony, and Present Music. His music has been featured at festivals around the world including Aspen, Bang on a Can, Bowdoin, Cabrillo, Carlsbad, GAUDEAMUS, International Young Composers Meeting, NASA, Norfolk, Nuova Consonanza, SONIC, the Venice Biennale, and the World Saxophone Congress.
A winner of the Rome Prize, Friar has received awards from Copland House, the Fromm Foundation, the American Academy of Arts and Letters, Chamber Music America, ASCAP, Composer’s Inc., and New Music USA. His music can be found on New Amsterdam Records, Innova Recordings, and Crescent Phase Records. In late 2020, his album, Before and After, will be released on New Amsterdam Records.
Friar is chair of composition at the Lamont School of Music at the University of Denver. He also directs summer composition programs at the Idyllwild Arts Academy and the Sunset ChamberFest in California, and previously taught composition at the University of Southern California and UCLA. He holds a Ph.D. in music composition from Princeton University and undergraduate degrees in music and psychology from UCLA. His principal teachers were Paul Chihara, Paul Lansky, Steven Mackey, and Dmitri Tymoczko.
- Ph.D., Music Composition, Princeton University, 2017
- MFA, Music Composition, Princeton University, 2009
- BA, Music, UCLA, 2007
- BA, Psychology, UCLA, 2007