Lamont offers an exceptional environment for tubists, combining individualized instruction with world-class resources and performance opportunities. Our studio is vibrant and collaborative, where tuba players challenge and support one another in pursuit of artistic excellence. Guided by Prof. Stephen Dombrowski, students engage in intensive private lessons, chamber music, performance class, large ensembles, and masterclasses with renowned guest artists. In Lamont’s tuba studio, students celebrate each other’s successes and push one another to reach new artistic heights.

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Audition Requirements

Tuba Auditions

Studying Tuba at Lamont

As a tuba student at Lamont, you’ll join a supportive studio dedicated to musical growth. Under the direction of Prof. Stephen Dombrowski, each tuba student is seen as an individual, with personalized instruction tailored to their unique strengths, goals, and learning style. 

A typical week for a Lamont tuba student centers around your private lesson with Prof. Dombrowski. You’ll also take part in weekly studio class, where the focus ranges from solo repertoire and orchestral excerpts to technique building, audition preparation, and ensemble skills—all while fostering a strong, supportive studio community. In brass performance class, you’ll have valuable performance opportunities, learn how to give and receive constructive feedback, and benefit from the guidance of the entire brass faculty.

Because of our small studio size, you’ll have abundant performance opportunities. Tuba students regularly perform with both the Wind Ensemble and the Symphony Orchestra, as well as in chamber settings like brass quintets and duos. You’ll have the time, space, and support to grow into a confident, well-rounded performer.

Outside the studio, opportunities abound. Lamont’s size allows for personalized attention and meaningful connections, while the city of Denver offers a vibrant music scene with regional orchestras, gigs, and teaching opportunities. Our students are active performers in the community and often get paid work before they even graduate.

Lamont’s size allows you to receive individualized attention from all your instructors, gain confidence on stage, and have the space to discover your artistic voice. If you’re looking for a place to grow as a musician, artist, and individual, the Lamont’s tuba studio offers a vibrant and supportive home.

2-3 tuba students at Lamont

Over 5 ensembles to participate in each quarter

300+ performance opportunities per year

Faculty

Lamont tuba students study with Prof. Stephen Dombrowski, Principal Tubist of the Colorado Symphony Orchestra. He has performed with major ensembles across the U.S. and Europe, recorded with Dallas and Cincinnati Symphony Orchestras, Central City Opera, and the Grand Teton Music Festival. 

Stephen Dombrowski

Stephen Dombrowski

Adjunct Faculty, Tuba

Learn More

 
Stephen Dombrowski

Auditions

Applicants may choose to either audition in person in Denver OR submit a recorded video audition. 

Applications received after January 15 will be reviewed on a case-by-case basis. You may indicate your preference for a live or virtual audition on the Lamont application.

Click here to view the current year’s audition dates and the full steps for how to apply.

  • In-Person Audition Requirements
    All auditions are approximately 15 minutes in length.
    Undergraduate (BM, BA and Minor)
    • A melodious etude (to demonstrate sound, intonation, and musicianship)
    • A technical etude (to demonstrate technical facility)
    • A solo of your choice
    • Two orchestral excerpts of your choice (transfer applicants should prepare several) 
    • A 2-octave C or Bb major scale and a 3-octave Eb or F major scale

     

    Graduate (MM and Certificate in Performance)*
    • Two contrasting solos
    • Several of the major orchestral and/or excerpts
    • A low-range etude
    • A melodious etude
    • A technical etude

    *Graduate applicants should be able to demonstrate both the CC and F (or Eb) tubas at an advanced level.

     

    Review Requirements for Artist Diploma
    Review Requirements for Certificate in Orchestral Studies

  • Video Audition Requirements
    Applicants unable to travel to Denver for a live audition may submit a video audition via the Lamont application. Repertoire may be recorded separately in multiple takes; editing within each take is prohibited.
    Undergraduate (BM, BA and Minor)
    • A melodious etude (to demonstrate sound, intonation, and musicianship)
    • A technical etude (to demonstrate technical facility)
    • A solo of your choice
    • Two orchestral excerpts of your choice (transfer applicants should prepare several) 
    • A 2-octave C or Bb major scale and a 3-octave Eb or F major scale

     

    Graduate (MM and Certificate in Performance)*
    • Two contrasting solos
    • Several of the major orchestral and/or excerpts
    • A low-range etude
    • A melodious etude
    • A technical etude

    *Graduate applicants should be able to demonstrate both the CC and F (or Eb) tubas at an advanced level.

     

    Review Requirements for Artist Diploma
    Review Requirements for Certificate in Orchestral Studies

  • *Recommended Repertoire
    Recommended undergraduate repertoire

    Etudes

    • Arban - Complete Method for the Tuba, ed. Young; 
    • Blazevich - 70 Studies; 
    • Bordogni - Bel Canto Studies for Tuba; 
    • Kopprasch - 60 Studies for Tuba; 
    • Phil Snedecor - Low Etudes; 
    • Tyrell - Advanced Etudes for BB Flat bass

     

    Solos

    • Bach - Air and Bouree - arranged by Bill Bell;
    • Bruce Broughton - Sonata;
    • Don Haddad - Suite for Tuba;
    • Hindemith - Sonata; 
    • Vincent Persichetti - Serenade No. 12 for Unaccompanied Tuba; 
    • Robert Schuman - Adagio and Allegro - arranged by Floyd Cooley; 
    • Halsey Stevens - Sonatina; 
    • Alec Wilder - Effie Suite; 
    • Gregson - Concerto; 
    • Vaughan Williams - Concerto

     

    Excerpts

    • Berlioz - Hungarian March; 
    • Mahler - Symphony No. 1; 
    • Prokofiev - Symphony No. 5; 
    • Wagner - Prelude to Die Meistersinger von Nurnberg; 
    • Wagner - The Ride of the Valkyries

     

    Recommended graduate repertoire

    Solos:

    • Bruce Broughton - Sonata
    • Jacques Casterede - Sonatine 
    • Paul Hindemith - Sonata
    • Anthony Plog - Three Miniatures 
    • Anthony Plog – Sonata 
    • Martin Ellerby - Tuba Concerto
    • Eric Ewazen - Concerto for Tuba or Bass Trombone 
    • Ralph Vaughan Williams - Concerto for Tuba
    • John Williams - Concerto for Tuba 
    • James Grant - Three Furies
    • William Kraft - Encounters II
    • Penderecki - Cappriccio 
    • Bach - Sarabande from Cello Suite No 5
    • Bach - Sonata in Eb - arranged by a Floyd Cooley

     

    Excerpts:

    • Richard Wagner - Prelude to Die Meistersinger von Nurnberg
    • Richard Wagner - The Ride of the Valkyries
    • Hector Berlioz - Benvenuto Cellini (rehearsal #15 through the third measure of rehearsal #17; rehearsal #18 through the fifth measure of rehearsal #19)
    • Hector Berlioz - Hungarian March
    • Hector Berlioz - Symphonie Fantastique
    • Johannes Brahms - Symphony No. 2 (Mvt. IV, rehearsal "O" to the end)
    • Anton Bruckner - Symphony No. 7 (Mvt. IV, rehearsal "P" to rehearsal “S”)
    • Paul Hindemith - Symphonic Metamorphoses (Mvt. II: Turandot, Scherzo, complete)
    • Gustav Mahler - Symphony No. 1 (Mvt. III, complete)
    • Gustav Mahler - Symphony No. 2 (Mvt. V: Chorale, from the second measure of rehearsal #10 through rehearsal #11)
    • Gustav Mahler - Symphony No. 5 (Part II. Mvt. 3: Scherzo, from the sixteenth measure of rehearsal #15 through rehearsal #17)
    • Sergei Prokofiev - Symphony No. 5 (Mvt. I, complete)
    • Sergei Prokofiev - Romeo and Juliet, Suite No. 2 (Mvt. V, from the fourth measure of rehearsal #49 through rehearsal #51)
    • Respighi - Fountains of Rome
    • Silvestre Revueltas - Sensamaya (rehearsal #2 to rehearsal #11, rehearsal #33 to rehearsal #41)
    • Dimitri Shostakovich - Symphony No. 8: Scherzo
    • Richard Strauss - Ein Heldenleben
    • Richard Strauss - Till Eulenspiegel (from rehearsal #13 to two measures before rehearsal #14; from rehearsal #25 to seven measures before rehearsal #26; from three measures before rehearsal #37 to four measures before)
    • Igor Stravinsky - Petrouchka (Peasant with Bear, from rehearsal #189 through rehearsal #191
    • Masqueraders, from rehearsal #240 through three measure before rehearsal #242)

Life After Lamont

Lamont students have worked with some of the most prestigious music organizations in the world. Alumni have performed with the Metropolitan Opera, Philadelphia Orchestra, Wolf Trap, Vancouver Symphony, Broadway, the West End, and San Francisco Opera. Lamont composers have premiered works at Carnegie Hall and the Monterey Jazz Festival, and conductors have led orchestras from Brazil to Hungary. Graduates of our Musicology and music theory programs hold posts at prestigious institutions nationwide. And our recording and production students have launched careers in Hollywood, editing soundtracks for films like Star Wars: The Last Jedi and Star Wars: The Force Awakens.

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    James Andrus - MM 2021

    Principal Tuba, Colorado Ballet; Boulder Philharmonic Orchestra

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